Another view from the top. Light in the hills is constant.y changing and waiting for the sun to break through the clouds to illuminate a patch of the scene makes all the difference to the photo. I found that by choosing black and white I could accentuate the tones of the scene, which were lost in colour as the landscape appears a fairly uniform green. Again, this is a vertical panorama of three images shot vertically and stitched together in Lightroom. It was shot using at 40mm (80mm full frame equivalent) f/8.0 at 1/200th second. ISO 200. Black and white conversion was in On1 Perfect Suite 9.
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